HOME
Looking to update this soon, but for now it’ll have to do, enjoy!
Software - AfterEffects (and a bit of sneaky Topaz upres)
With 59 Productions, I worked on two chapters for the Hong Kong Design Centre’s latest exhibition, The Light Within The Light Without. Shown to the right are images taken from the space (swipe though to see em all).
The first chapter, History of Advertising, wrapped the space in Super 8 footage of signs, chasing the feeling of walking down an old Hong Kong street after a fresh rain, a little drunk, washed over by ubiquitous advertisements glowing in beautiful neon.
The second chapter, Young Masters, followed several contemporary neon artists as they created new works, many of which were also physically displayed elsewhere in the exhibition. This section focused heavily on the making process behind the work.
3:HENDERSONHong Kong - The Henderson
Software - Blender , After Effects , Unreal
Another one in Hong Kong with 59. For Henderson, i had the opportunity to put some animations on the facade and interior screens of this wonderful Zaha Hidid skyscraper.
Shown here are the three sections I contributed to the Chinese New Year content. I also made some stuff for their christmas show and a 2 min looping flowery animation for the top floor banquethall area (a 14k res screen, imaging those render times :0)
Software - Cinema 4d, Aftereffects, Blender
Ah the upfronts, a crazy week in new york where ad executives flock from Chicago to be dasseled by loads of American Television networks.
2025 was my first year working on this with 59 and coming back in 2026 (Stay tuned will add soon). Another project with massive screens and smart workflows to keep render times managable.
If you ever hear about the Andy Cohen time machine moment, I’m that guy.
https://www.tiktok.com/@adweek/video/7638763697535487262
Software - Blender, Rhino, After Effects, Resolume
A crazy time, a crazy deadline, and a tight budget. This was a little sidequest I undertook with the incredible Nour Shalaby and Taylor Leung, designing the set and visuals for the London leg of Tul8te's tour. Driven by Tul8te's vibey tunes and Nour's translations of the lyrics from Arabic to English, we developed 13 unique visual sequences for the show, each with its own cues called throughout the songs.
The set design featured a large circular projection surface, LED tubes filled with addressable strip lights (which I'm still messing about with these days), and four oversized flowers handmade from cloth.
One of the highlights of the project was seeing all of us step up and take ownership of every aspect of a production like this, from design and fabrication through to programming and show delivery.
Software: Blender, After Effects
Sort of a digital flower expert at this point. I love them, and this project was a big part of that journey. Working with direction from Raafat Majzoub, I modelled, textured, and animated 72 flowers in total.
The flowers were created as still images for the backgrounds of this tarot deck—a really beautiful project that I'd highly recommend checking out here: https://howtotimetravel.rights4time.com/dua-express/
Software - Blender, After Effects
Before you say it, I know, it looks quite Severance-intro-y. But I still think it looks pretty cool.
The podcast focuses on the multitude of careers people find themselves in after studying architecture. I had complete creative freedom on this project, from the initial concept through to the final look and feel.
A great little project with some great, trusting friends.